The Justice League of America
tryout issues of The Brave and the Bold flew
off the newsstand shelves and supermarket spinner racks in late 1959 and early
1960.
I missed the team’s debut in The Brave and the Bold 28, which was on
the newsstands in December 1959, but picked up and was delighted by Brave and Bold 29, with the JLA battling
a giant robot who had a ray gun in his belly.
I ogled Brave and Bold 30 and the first two issues of the JLA’s own title
in DC’s house ads, but the issues sold out before I could buy them. And one of
several reasons for that was the appeal, to small children, of the superheroes’
colorful costumes.
I distinctly recall being almost
hypnotized by the flashing primary colors of those covers — one character
scarlet and canary yellow, another emerald green and jet black. The blond man
was in green and bright, scaly orange, while the woman wore a swimsuit of red,
white, blue and yellow. A blue cape, boots and trunks contrasted with the vivid
green skin of the team’s fifth member.
These superheroes had that same
gaudy glory that delights children in hummingbirds and goldfish. And if their
adventures finally made no sense, well, neither do fairy tales or dreams. The
superheroes were surrealism for children. But they were about to grow up a
little.
The success of the JLA inspired
the creation of the Fantastic Four over at what would become Marvel Comics, but
writer/editor Stan Lee, in an effort to make such characters fresh and more
adult, discarded the costumes. After all, real people who happened to gain
extraordinary abilities wouldn’t put on fancy dress, would they?
That proved to be a commercial
mistake that was corrected after two issues. Readers demanded colorful
costumes, and Marvel responded with something of a compromise — not costumes
but team uniforms, in a colorful blue that was relatively understated by
superhero standards.
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