The character anticipated and undoubtedly got a boost from the Davy Crockett craze of 1954-55, kicked off by Disney’s version of Crockett’s life. The Ballad of Davy Crockett was probably the most-sung song of 1955, recorded by Bill Hayes, Fess Parker, Tennessee Ernie Ford, Steve Allen, Burl Ives and Fred Waring.
Sometimes the comic books you saw in ads but didn’t read could be as fascinating as the comics that you'd paid your dime or 12 cents to buy. They might even be more compelling, because not knowing the story behind the covers forced you into the delightful practice of using your imagination and speculating — of writing, in effect, just the way Stan Lee, Gardner Fox and John Broome did. So welcome to Just Imagine: The Colorful World of Comic Book House Ads.
June 1938: A Superman for the Underdog
On the newsstands in May 1938, browsers had their choice of Tarzan in Comics on Parade, Popeye in King Comics, daredevil aviator Captai...
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For the 10-and-under crowd, Showcase 34 contained not only the debut of a new superhero, but a thrilling surprise. A text feature gave us ...
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In Tales of Suspense 49 (Jan. 1964), Iron Man would use his new armor to withstand a nuclear detonation and rescue a member of the X-Me...
Saturday, January 1, 2000
January 1960: Trading Capes for Coonskin Caps
The character anticipated and undoubtedly got a boost from the Davy Crockett craze of 1954-55, kicked off by Disney’s version of Crockett’s life. The Ballad of Davy Crockett was probably the most-sung song of 1955, recorded by Bill Hayes, Fess Parker, Tennessee Ernie Ford, Steve Allen, Burl Ives and Fred Waring.Wednesday, May 5, 1999
May 1959: When Indians Were Invisible
Tomahawk started out fighting redcoats, and ended up battling frontier dinosaurs, frontier supermen, giant gorillas, Indians who flew giant eagles, Liliputian Indians, volcano Indians, alien Indians — and invisible Indians.
In that, Tomahawk and his young friend Dan were really no different than Batman and Robin, Jimmy Olsen and Lois Lane, the Sea Devils, the Challengers of the Unknown, or any of the other DC features that featured bizarre and absurd menaces month after month.
As a kid, I liked them all. Plausibility need not apply. A world of silly, colorful melodrama suited me just fine.
“The character was created by writer Joe Samachson (who also scripted the first J’onn J’onzz, Manhunter from Mars story) and artist Edmond Good (whose work also appeared at Quality and Fox) — but the man most closely associated with his development was Fred Ray, a cartoonist who was also a Revolutionary War buff,” noted comics historian Don Markstein.
“Tomahawk got his name from the fact that he was raised by Indians, thus absorbing their lore — a definite asset in the forest-based guerilla warfare he carried on against the British — combined with the fact that his name actually was Tom Hawk.”
Tomahawk was therefore a direct descendent of one of the first American fictional heroes, James Fenimore Cooper’s Nathaniel “Natty” Bumppo, introduced in Cooper’s 1841 novel The Deerslayer.
A cross-cultural figure, this highly skilled and courageous “Hawkeye” was a son of white parents who grew up among Delaware Indians and was educated by Moravian Christians.
But unlike Hawkeye or even Batman, Tomahawk was born in 1947, into the age of the atom bomb. So perhaps it shouldn’t be a surprise that science-fictional elements began to flavor the series.
For example, Tomahawk 62 (May-June 1959) offered Raids of the Invisible Braves with art by Bob Brown. The braves have access to an invisibility fluid created by a now-dead “paleface medicine man,” and Tomahawk and Dan take a bath to turn the tables on them.




