June 1938: A Superman for the Underdog

On the newsstands in May 1938, browsers had their choice of Tarzan in Comics on Parade, Popeye in King Comics, daredevil aviator Captai...

Wednesday, July 7, 1982

July 1942: The Prof Who Packed a Punch

MLJ’s Golden Age “spider-man,” the Web, had a striking costume design, but a brief run. 

Nevertheless, his visual appeal alone was sufficient to insure that he’d be repeatedly revived.

“The Web wears a cape which is unique in that it is not of solid cloth; instead, it is of a loosely meshed web,” noted comics historian Michael E. Grost. “There are numerous holes in it between the lines of the web. Such a cape is unique among super-hero costumes.”

“The two sides of the Web's costume are in contrasting colors, yellow and green … The whole effect suggests a Harlequin figure.”

Created for Zip Comics 27 (July 1942) by artist John Cassone, the Web was John Raymond, an athletic and distinguished criminology professor who was inspired by the fact that his brother had fallen into a life of crime.

“Though he merely theorized about criminals by day, at night, in his green and yellow costume, he dealt with them in a more practical manner — trapping them, as he put it, in a web of their own making,” comics historian Don Markstein noted. 

“One suspects that Alex Raymond helped create a cultural ideal in his heroes — masculine, intelligent, courageous, highly competent and professional, not to mention very well dressed,” Grost noted. “One can also note the same last names in fiction character John Raymond and real-life cartoon artist Alex Raymond, and wonder if John Raymond were named in honor of the artist.”

In a reversal of the already-established superhero convention, the Web’s romantic interest — his student Rose Wayne — instantly saw through his disguise when he rescued her, and demanded to know why he was dressing up to fight crime. 

Two decades later she’d be Raymond’s domineering wife, and a nagging obstacle to his resumption of his crime-fighting career.

“(The Web) made only a dozen appearances in his original incarnation, but since then has turned up practically every time those old characters have been trotted out,” Markstein said.

5 comments:

  1. Rocco Giorgio wrote: An interesting character. The strips I've seen are reminiscent of their Hangman,lots of violence but better art

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  2. Johnny Williams wrote: I liked the Silver Age Web, and it began because of one panel where he was doing pushups next to the bed where his wife lay. That humanized him to even the boyhood me. I then made myself more knowledgeable about his Golden Age version, and liked the character even more.

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  3. When you think about why a hero would have a cape, what purpose would a holey cape serve? A criminal could easily grab it and seize the hero. It's a similar reason as to why Daredevil ditched his hood after just four issues...cause it was just too easy to snag!

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  4. Cheryl Spoehr wrote: He was my favorite of all the "Mighty Comics Ultra Heroes." But that whole "hen-pecked" thing made me cringe. His Golden Age stories are bizarre. Like The Hangman, they usually end with the bad guy killing himself while running away. It was the fanaticism of the character that I find really unsettling. If criminals really wanted to get caught, if their ends were really inevitable, what did we need with police or The Web himself? His tight jaw, his humorlessness, suggest that he is in worse psychological shape then the crooks. But I still like him best of all the MLJ/MIGHTY heroes.

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  5. Joseph Lenius wrote: Cheryl, the Mighty Comics "camp thing" aside, I wish they hadn't pushed Paul Reinman's art on us poor readers.

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