Although Pete Morisi’s art was a
bit static for my taste, I had to admire the realistic veneer he had worked out
for his title Peter Cannon… Thunderbolt,
seen here in this Charlton Comics house ad for issue 55 (Jan. 1966).
Thunderbolt’s will-based powers
were relatively restrained by comic book standards, and his costume was really
a monastic training outfit with an added mask.
The Himalayan hero didn’t want to
fight crime, having an enlightened contempt for the greed and corruption of a
western culture that remained alien to him. He just wanted to be left alone so
he could write.
Created by Joe Gill and Bill
Montes, the Fightin’ Five were commandos recruited by the CIA to free a
kidnapped physicist, something “…the CIA, the Army, Navy, Air Force, Marines
and all other agencies” hadn’t been able to accomplish.
They also continued the
publisher’s long and relentless war against the letter “g.” (Charlton’s titles
included Fightin’ Air Force, Fightin’
Army, Fightin’ Marines, Fightin’ Navy and Fightin’ Five).
Here, in issue 41 (Jan. 1967),
they tackle what is clearly supposed to be Gorgo, one of the three giant movie
monsters licensed by Charlton.
Or maybe Charlton should spell
that ’Or’o.
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