An alien invader who shrinks and collects your civilization? That would be Brainiac, right?
Well, no, it’s Grq, at least in the Archie Adventure universe of 1962.
When the Fly and Fly Girl ran into the planet-shrinker in The Test Tube Flies! (Adventures of the Fly 17, Jan. 1962), they were, ironically, reduced to the size of insects. But nevertheless, eventually they taught Grq just how formidable insects can be.
Robert Bernstein, a writer who worked for both DC and Archie, was well familiar with Superman’s exploits, and clearly used Otto Binder’s The Super-Duel in Space! (Action Comics 242, July 1958) as his inspiration.
But then, DC Comics was perfectly capable of copying their own stories, as in The Alien Who Doomed Robin! (World’s Finest 110, June 1960). In that tale, written by Jerry Coleman, Superman, Batman and Robin fought to stop a green, tentacled alien from shrinking and stealing buildings to use as exhibits on an asteroid amusement park.
“The Fly stories largely consisted of our hero doing battle with various menaces: giant robots, alien invaders, prehistoric monsters and gangs of crooks were favorite opponents,” recalled comics historian Michael E. Grost. “In this way, his stories resembled those of the Green Lantern, who also spent much of his time fighting monstrous menaces from outer space and other dimensions.”
“The Fly was a superhero who had the powers of insects,” Grost noted. “He could fly, glow like a firefly, employ the immense strength of an ant, weave silk cocoons and bind his enemies, etc. He could also command hordes of insects to do his bidding.”
“John Rosenberger, most of whose comics work was in the romance genre, became the regular illustrator,” noted comics historian Don Markstein. “He delivered dependable, routine work until 1964, when the title ended. Along the way, only one more notable thing happened — in the 14th issue, the Fly picked up a female counterpart, Fly Girl, who was in reality actress Kim Brand.”



Joseph Lenius:
ReplyDeleteDan Hagen, there are some comic book collectors who are as obsessed as Grq. And just how does one pronounce “Grq”?
Bruce Kanin:
ReplyDeleteRosenberger's great art was juxtaposed with wobbly stories and awful villains. I still loved it all and at one point collected every issue, along with ADVENTURES OF THE JAGUAR.
One note: Rosenberger ended his run with issue #28 (Oct 1963) but the series continued into 1964 with art by John Giunta and eventually as FLY MAN, with its last issue under that title having a story drawn by Paul Reinman called "Beware...the Blockbuster!" (I mention that because of your recent post, Dan!). (Thank you, Mike's Amazing World of Comics! ๐ ).
George Blake:
ReplyDeleteA most excellent series! Beautifully illustrated. Fly Girl’s mask looked like it was painted on and possibly one of the most beautiful of Silver Age women.
“I wish I were…THE FLY!” — Tommy Troy
Paul Zuckerman:
ReplyDeleteI concur with the assessment of Rosenberger's work. He had a clean, smooth style, not unlike Curt Swan's. I was not a regular collector of either the Fly or Jaguar. In fact, I am not even sure I saw them in my local candy stores where I bought my comics. More often than not, I got one of the Archie adventure books when I went to my not-so-local shoe store. We used to go back to the "old neighborhood"--the one that we had moved from--for much of our shopping. (Most of those businesses would soon be gone to changing demographics and urban blight.) But I did like those books. I had seen a few of the earlier, Simon and Kirby issues but probably had little or no recollection by then (and certainly did not recognize Kirby's art in FF as being by the same artist who did those, or for that matter, the Challengers reprint in Secret Origins 1.)
I did pick up the Mighty Comics Fly-Man (I wonder if the name was changed because of issues with the movie the Fly? Or to match Fly Girl? Or did they just think it sounded better than the Fly? Which it just doesn't? (Isn't it funny that Spider-Man or Hawkman sounds right, but not Fly Man?) Anyway, they were just awful. At the time, I didn't know who Jerry Ess was, and even if I knew the name, I might not have connected him to Superman (though my 1960 World Book Encyclopedia gave Siegel and Shuster their well-deserved credit line for Superman!) But, Siegel, coming down from some true heights on his Superman run, fell far indeed on these stories. About the best thing in them was when Too Many Heroes showed up!
As for Rosenberger, I did not follow romance comics so I wasn't aware of his work there. So, while I may have seen some of his ACG 1960's work, it would be on Supergirl and Lois Lane where I next saw his work. Though some of it was butchered by VInce Coletta's awful inking, I still liked his pencils and the whole shabang when he did that, as on Zatanna.
Joseph Lenius:
ReplyDeleteRosenberger was great. Giunta terrible. Reinman terrible. My apologies to the descendants of Giunta and Reinman. But I have seen some old 1940s/1950s pulp/digest illustrations by Giunta that were drawn well.
Michael Kelly Schurman:
ReplyDeleteI was the perfect age for the comic book superheroes renaissance and the Silver Age. I loved the Fly and the Jaguar when they first appeared and was disappointed The Double Life of Pvt. Strong only lasted the two issues.
Daniel Conforti:
ReplyDeleteI enjoyed reading The Fly as a kid and always looked for it on the spinner rack.